Bogen er et forsøg på at besvare spørgsmål om kunst til mennesker, som elsker kunst på alle mulige måder. Bogen er dedikeret til dem, som investerer deres kraft og tid inden for musik, litteratur, film, teater m.m. med et ønske om at støtte kunstelskerne. Bogens titel "Breve til Andrej" er derfor tilegnetR til én af de største russiske kunstnere Andrej Tarkovskij.

"E. B. Pashukanis was the most significant contemporary to develop a fresh, new Marxist perspective in post-revolutionary Russia. In 1924 he wrote what is probably his most influential work, The General Theory of Law and Marxism. In the second edition, 1926, he stated that this work was not to be seen as a final product but more for ""self-clarification"" in hopes of adding ""stimulus and material for further discussion."" A third edition was printed in 1927. Pashukanis's ""commodity-exchange"" theory of law (...) spearheaded a perspective that traced the form of law, not to class interests, but to capital logic itself. Until his death, he continued to argue for the ideal of the withering away of the state, law, and the juridic subject. He eventually arrived at a position contrary to Stalin's who, at that time, was attempting to consolidate and strengthen the state apparatus under the name of the dictatorship of the proletariat. Inevitably, Pashukanis was branded an enemy of the revolution in January 1937. His works were subsequently removed from soviet libraries. In 1954, Pashukanis was ""rehabilitated"" by the Soviets and restored to an acceptable position in the historical development of marxist law. In Europe and North America, a number of legal theorists only rediscovered Pashukanis's work in the late 1970s. They subjected it to careful critical analysis, and realized that he offered an alternative to the traditional Marxist interpretations, which saw law simply and purely as tied to class interests of domination. By the mid-1980s the instrumental Marxist perspective in vogue in Marxist sociology, criminology, politics, and economics gave way, to a significant extent due to Pashukanis's insights, to a more structural Marxist accounting of the relationship of law to economics and other social spheres." --Descripción del editor. (shrink)

В кн. также: Философские афоризмы и изречения В. И. Ленина.

В кн. также: Философские афоризмы и изречения В. И. Ленина.

The author of the work raises the issue of the phenomenon of nomadism in the context of the work of the French director Alain Resnais. The object of the research is the early works of the director, such films as "Last year in Marienbad", "Hiroshima, my love", "I love you, I love". The purpose of the work is to answer the question of how nomadic strategies allow the author to create non-linear narrative structures, oscillating characters and flickering characters in his (...) films, and how understanding these strategies can help viewers and researchers in the act of deciphering works. The author also analyzes a number of phenomena related to nomadism, such as the rhizome, the body without organs, deterritorialization, escape, flicker. The novelty of the research lies in the application of nomadic strategies to the cinema of Alain Resnais. This approach makes it possible to use the current philosophical and art history prism to study narrative structures, intraframe space and characters. The author argues that Rene's cinematography can be viewed through a position of resistance to forms of power - suppression and control - which manifests itself in the violation of traditional forms of narration and the creation of split characters. To study the mentioned aspects of Rene's work, the author resorts to the philosophy of Gilles Deleuze and Felix Guattari. The author also explains the position of the modern viewer and describes the strategies of looking, which can lead to a state of pleasure from interacting with nomadic works. (shrink)

Prince Evgenii Trubetskoi, one of Russia’s great philosophers, exemplified what was best in the Russian religious-philosophical tradition. His lifelong pursuit was “integral knowledge.” This ideal affirmed that faith was integral to reason and that inner experience, and not just external sensory experience, offered truthful testimony to the nature of reality—precisely contrary to the reductive positivism and scientism of Trubetskoi’s day and ours. Following Vladimir Soloviev he developed the concept of Bogochelovechestvo —the free human realization of the divine principle in (...) ourselves and in the world —and found in it the very meaning of life. Trubetskoi strikingly combined religious philosophy with an unwavering commitment to the main principles of liberalism: human dignity, freedom of conscience, the rule of law, and human perfectibility. He worked tirelessly for a liberal, constitutional Russia. This is the first book in English devoted to Evgenii Trubetskoi’s life and thought. It includes a comprehensive introduction, six chapters on his religious-philosophical worldview, and six chapters on an area of religious studies that he inspired—the philosophy of the icon. (shrink)

The paper analyzes the correspondence between Prince Evgenii Troubetzkoy and Marian Zdziechowski, from 1905–1916 (not yet published). The correspondence focuses on the question of Russian-Polish relations and the possibility of Poland’s autonomy within the Russian Empire or the restoration of Poland’s independence. With the clarification of these two thinkers’ positions on the “Polish question,” the paper examines their concepts of nationalism and patriotism, their attitude to the idea of Slavic unity and the role of Russia as well as the (...) correlation between their political views and their religious outlook. It demonstrates how the “fascination” of Polish intellectuals with Russian constitutional democrats in 1905 was replaced by disappointment due to the failure of the First Russian revolution, and then by serious disagreements during the First World War. The conclusion states that despite their disagreements on the “Polish question,” Evgenii Troubetzkoy and Marian Zdziechowski retained respect for each other, and their correspondence reveals new facets of their personalities. (shrink)